Thursday, June 29, 2017

Something Special Coming July 5 - 7 !


A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Lisa Dobry, Elise Bky and Many Others -- the Beauty of Collaboration in Stencil Art


If one picture is worth a thousand words -- and I believe this is true! -- then the word-count is way over the top for this issue of StencilGirl Talk.  Lisa Dobry's write-up says it better than I ever could!

Just two highlights are shown below -- but make sure you check out the entire write-up with photos, here:
  


Clustered Leaves layer by Lisa Dobry & Heron layer by Elise Bky


Clustered Leaves layer by Lisa Dobry & Heron layer by Elise Bky

Click on the above image to enlarge it and enjoy the eyelashes on the heron!

Clustered Leaves, a 9" x 12" stencil, looks like this:





Heron, a 6" x 6" stencil, looks like this:





To see all my stencils, please go here.

Thanks for visiting my blog!

A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Monday, June 26, 2017

Feathers are Flying -- but in a Good Way!


Very soon after I discovered Catie Guse's artwork on the StencilGirl StencilClub Facebook page, I made another discovery -- the same Feathers 6 stencil had been used by Kreative Kymona (a beautiful young woman whose website I immediately visited.)  Her artwork, still in progress, is the focus of my post today:





This in-progress artwork is looking really promising!

The Feathers 6 stencil (6" x 6") looks like this:





Its big sister stencil, Feathers 9 (9" x 12") looks like this:





To see all my stencils, please visit here.

Thanks for stopping by today!

A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Friday, June 23, 2017

Catie Guse and FEATHERS 6 Stencil!


Artist Catie Guse -- a.k.a. fivefingerartstudio at Instagram -- used the following StencilGirl stencils in making art shown in my post for today: 

Cecilia Swatton's Feathers 6 stencil
Rae Missigman's Travel Note stencil
Kae Pea's Wheel in the Sky stencil
Seth Apter's Text and Texture Discovery stencil


The two photos below are taken from a full-length post here, where you can find step-by-step details, alongside Catie's complete set of photos.



Photo by Catie Guse
  


Photo by Catie Guse


The Feathers 6 stencil (6" x 6") looks like this:





Its big sister stencil, Feathers 9 (9" x 12") looks like this:





To see all my stencils, please visit here.

My kudos and gratitude go to Catie Guse for choosing to use one of my stencils among the many StencilGirl stencils that went into the making of this artwork.  I think it's stunning, the look she achieved with pale pastels against deep black! 

A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Thanks for your visit today!

Tuesday, June 20, 2017

Honored to Say That ...


... Chris Cozen has shown StencilGirlProducts stencils, including my 6" x 6" stencil Mimosa 6, in at least one of her recently released DVDs on painting with acrylics. 

In addition, the Summer issue of Cloth Paper Scissors magazine carries an article by Chris Cozen, in which she writes about using stencils to build composition.  I'm delighted to say that in the shot below (taken by MaryBeth Shaw) it appears Chris has opted to include, among the many beautiful StencilGirl stencil choices, either my Tangled Pods stencil or my Dangled Pods stencil.  Or possibly both.  I may know more after picking up an issue of this magazine myself.   





Tangled Pods (9" x 12") looks like this:




And the 9" x 12" stencil Dangled Pods -- which is the reverse image -- looks like this:




Thanks for your visit to my blog today!

To see my other stencils, just click here.

Saturday, June 17, 2017

July-August Issue of Somerset Studio Magazine


MaryBeth Shaw of StencilGirlProducts has a regular column in Somerset Studio magazine -- worth the cost of subscription, all by itself! 

What an honor, that in the July-August issue, among the many beautiful StencilGirl stencils used in these projects, MaryBeth chose to include an image -- shown below -- that she created with my 6" x 6" Heron stencil.  I love the way she layered complementary colors together in using another StencilGirl stencil in tandem with Heron!




The Heron stencil itself looks like this --






Be sure to catch this -- and every -- issue of Somerset Studio magazine!

If interested in seeing any of my other stencils, please visit here.

Thank you for stopping by today!

Wednesday, June 14, 2017

"Subscribe" Disabled Today But "Follow by EMail" Continues


As announced in advance, I've disabled the "Subscribe" option for this blog, but the "Follow by Email" option continues.

The "EMail" option appears in the right sidebar.


Tuesday, June 13, 2017

Anna Friesen and BLOOMING WHERE PLANTED Stencil


Today, I have the happy honor of posting gorgeous artwork by artist Ann Friesen, who did a beautiful job in her art journal using mt 9" x 12" stencil Blooming Where Planted.

The photo below shows Anna using the subtractive/reductive technique --





And the photo above is a close-up showing the stunning results achieved by Anna.

To see all of my stencils just go here.

To follow this blog, just sign up for emails on the upper right.  


A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Sunday, June 11, 2017

Mary Ann Russo's Vintage Art Journal -- Another Page in Progress, with Another Stencil


Now to showcase artwork by other artists!  Today's featured art-maker is my friend Mary Ann Russo, who's been working on an art journal with a vintage theme.  She's been using 300-lb. watercolor papers, which she will bind together in making her own book.

Mary Ann's dimensional art, shown in two shots below, was made with Liquitex flexible modeling paste, acrylic paints and my 9" x 12" stencil Vintage Script.

The full-page spread --





A close-up: 



To see more detail, especially in the sculpted, "old-plaster" look achieved by Mary Ann, you can click on the above images to enlarge them.

The Vintage Script stencil itself looks like this:





My thanks to Mary Ann Russo for allowing me to show her artwork here!

You can browse all my stencils, old and new, here.  

To follow this blog, just sign up for emails on the upper right. 

The "subscribe" feature, on the upper left, will be disabled June 14.

A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Thursday, June 8, 2017

Quick, Easy Marbling Technique with Stencils -- Guaranteed One-of-a-Kind Results Every Time!


Today's post is a re-fun but I can't resist sharing it again -- it's so much fun for me, especially since I delight in getting unpredictable results!

http://www.interweavestore.com/marbled-fabric-surface-design-dvd
 , which I learned about from my friend Mary Ann Russo, goes into depth on the topic of floating stencils on the surface of marbling liquid to create a combination stencil-and-marbled look on pieces of fabric. 


I'm not into fabric arts, but I tried this idea on printing papers -- the type of paper recommended in this short online video --

http://www.youtube.com/watch?v=J410yQ7PI1E   Please DO watch this short video, for complete directions.  I haven't included every detailed step in the photo captions below, but it all comes together once you see the video.

That recommended paper, copperplate paper, is a type of printmaking paper which can be found here (and is also available elsewhere):

http://www.dickblick.com/products/copperplate-paper/

And the marbling inks, Boku-Undo, can be found here:

http://www.dickblick.com/products/aitoh-boku-undo-suminagashi-marbling-kit/

The reason I went with this particular marbling process -- over the many others out there -- was (1) there is no need to prepare a special kind of floating liquid and (2) there is no need to clean stencils afterward.  That makes for quick preparation and quick clean-up -- leaving more time for having fun!

This method uses plain water as the liquid upon which the marbling inks float.  

I started with Maria McGuire's beautiful 6"X6" Stitch a Doily stencil-- http://www.stencilgirlproducts.com/product-p/s169.htm



Maria's doily stencil created the above design.

-- and the other stencils were mine: my 6"X6" stencil Kaleid --
  as well as Two Fans and Osprey Wings.


Above in this close-up of water in a foil basis, the floating blue and green inks are swirling together.  These trails of ink have been added by brush tips dipped in the inks -- reminder:  the Blick video cited above shows how to add the inks to the water.  

 After these inks have been added, the next steo, shown below, is to GENTLY float a stencil on the surface of the water:

The above shot shows Maria McGuire's doily stencil floating on the water in the basin.



The following step:  Place the paper gently atop the water's surface, sandwiching the stencil between the paper and the floating inks.  In the above shot, you see the paper from its bottom while its "face" is downward, resting on the floating stencil and the inked water under the stencil.  

Next, the paper is lifted off the water, turned over to be face-side up, and set aside on a flat surface to dry -- and that's all there is to it!


Above:  This print was made with my 9"X12" stencil Two Fans.


Above is a marbled print using my 6"X6" stencil Kaleid.


Above is a marbled print using my 6"x6" stencil Osprey Wings.

Above is a close-up of one of the osprey wings.  Click on any of the above images to enlarge them.

2 CAUTIONS:   (1) It works best to use fresh, dry stencils for each and every dip.  Wet stencils don't float as well on the surface of the water.  So have a lot of stencils at hand! (2) As soon as the paper gets saturated -- a matter of seconds -- immediately lift it from the surface of the water.  Long soaks are not needed, and they tend to disrupt the stencil design.

You can see these and all my other stencils here.  Thanks for visiting! 

To follow this blog, just sign up for emails on the upper right. 

June 14, I will be disabling the "subscribe" option on the upper left.

A special technique, with step-by-step photos and directions, will appear here July 5, 6 and 7.  Hope you can come visit!

Monday, June 5, 2017

Artist Katie Smith and FERNS 6 Stencil




is the blog address of Kathie Smith, who used Ferns 6 to decorate a piece of sliced wood from Walnut Hollow to embark on brand-new creative territory by making plant-dollies.  Isn't it fun to find ever more ways to use stencils?!  Once again, here is a project that never would have occurred to me.  But I can readily enjoy seeing the results when someone else develops an innovative idea!

You can get full step-by-step directions behind these photos by clicking on Kathie Smith's blog, above.







You can also keep up with Katie Smith on Facebook.

My Ferns 6 stencil looks like this:




Thanks for stopping by!

To browse all my stencils, please visit here.

To follow this blog, just sign up for emails on the upper right. 




I will be disabling the "subscribe" option on the upper left, since I'm unsure whether it works.

Friday, June 2, 2017

Elise Bky (a.k.a. Elise Buskey) and CLUSTERED LEAVES


The stunning artwork below was done by Elise Buskey, using Tim Holtz' Oxide Inkpads with sprinkles of water --




-- and the stencil she chose was my 9" x 12" Clustered Leaves , shown in its entirety below --





(If you're like me, you'll cut off the outer rectangular border of this stencil to make its design more versatile.  Trust me, the leaves will all hang together!)

Thanks for visiting!

To browse all my stencils, please visit here.

To follow this blog, just sign up for emails on the upper right. 

I will be disabling the "subscribe" option on the upper left as of June 14.  The "Follow by Email" option will continue.