Art...: trivet stencils

Showing posts with label trivet stencils. Show all posts

Saturday, December 7, 2013

Did I Go Overboard?

Some of us -- you know who you are -- are thinking about Whitman's Samplers at this time of year, since they (and all their rich, high-calorie friends) will be staring you in the face every time you step into a grocery store. Well, this is the inspiration for MY title STENCILGIRL(TM) Sampler, which I gave to this new artwork on canvas --

Okay, so maybe I got a little carried away ... but it was fun. The bottom layer is molding paste and the top layers are acrylic paints. In no particular order, these are the stencils I used:

Use Your Words by Carolyn Dube --

http://www.stencilgirlproducts.com/Use-Your-Words-Stencil-p/l207.htm

Trivet B stencil by yours truly --

http://www.stencilgirlproducts.com/product-p/s167.htm

Optical Large by Michelle Ward--

http://www.stencilgirlproducts.com/product-p/l040.htm

Blockout Overlap by Mary Beth Shaw --

http://www.stencilgirlproducts.com/product-p/l073.htm

my two Mimosa stencils (9"X12" and 6"X6")--

http://www.stencilgirlproducts.com/product-p/l141.htm

http://www.stencilgirlproducts.com/product-p/s126.htm

and a soon-to-be-released 9"X12" stencil that I titled Boxed Vines ...
just keep checking www.StencilGirlProducts.com.

Wednesday, November 20, 2013

More Greeting Card Covers

Above is an image that I showed in an earlier post, when I went into detail describing a way to use stencils as resists when marbling papers. The two stencils used here are, L to R:

Trivet B Stencil -- http://www.stencilgirlproducts.com/product-p/s167.htm

and

Trivet C Stencil -- awaiting release at www.StencilGirlProducts.com.

Below are two greeting card covers I've made using cut-outs from that marbled paper.

The top greeting card cover is self-framed via this method: I moistened its 4 edges with a paintbrush dipped into clean water, then ran a watercolor pencil all around the rim. See below:

A water-based marker would have worked, too. The brushed-on water makes the edges willing to soak up pigment in a lovely haphazard way.

My final step was to come in with a marker-pen and draw lines to trace some contours of the patterns created thru stenciling and marbling.

Thursday, September 5, 2013

Steampunk and Other New Stencils -- Available Now!

I've designed three more stencils now available under "New Stencils" at www.StencilGirlProducts.com ... and below I'm showing stencil-and-stain prints on Yupo that I made, using spray watercolors with these stencils:

My stencil "Trivet 9X12" was used for the above print; click on the image to enlarge it.

"Trivet B", a 6"X6" stencil, was used for the above print; click on the image to enlarge it.

The stencil "Trivet A 6X6" was used in the above image, side-by-side with the stencil "Trivet C" (which also measures 6"X6".)

Above, the stencil "Steampunk 9"X12" was used in making this print.

Find it here: http://stencilgirlproducts.com/new-stencils/view/1028

Trivet A and Trivet B (both measuring 6"X6") are found here -- on the first page of "New Stencils"--

http://stencilgirlproducts.com/new-stencils/view/1028

http://stencilgirlproducts.com/new-stencils/view/1033

Trivet C (6"X6") and the 9"X12" trivet stencil are coming soon to www.StencilGirlProducts.com, under "New Stencils."

The stencil-and-stain technique is wonderfully easy. It can be used on a number of substrates -- Yupo, as I've done here; it can also be used on pre-stretched canvas, as I showed in an earlier post (under "Older Posts" below); and it can be done on hot-press watercolor paper (which has a surface smooth to the touch); and finally, it can be done on glossy cardstock.

The substrate of choice is placed on a flat surface with a protective layer of newspapers underneath. If the substrate is a flimsy material, like cardstock or lightweight watercolor paper, it should be fastened down, along the edges, with masking tape.

The stencil is placed on top, flat against the substrate. Over the stencil, spray liquid watercolors. I've used full-strength watercolors as well as watercolors diluted with water. I've also used spray acrylics which I have first diluted with water.

The color will seep under the stencil; you can encourage additional spreading of color by spraying with water in a mister.

Leave the stencil on overnight. Check the next day by lifting one corner. If the paint has dried, lift the stencil all the way off. If the paint is still damp, replace the corner of the stencil and wait longer.

Paper and canvas will dry fairly fast, depending on local humidity level. Glossy cardstock may take a little longer. Yupo will take the longest.

After removing your stencil, you can use it to make a "ghost print" with the leftover paint that is still clinging to the stencil's plastic surface. Just place the stencil on a new substrate and mist it with water. Repeat the waiting time. This second print is called "ghost" because it comes out lighter.