6" x 6" s793 LOOKING UP THROUGH TREES Mask, Plus a Unique "Ring"

Before launching into today's post about my new 6" x 6" mask Looking Up Through Trees Small, I'm excited to share news of something that I've just discovered.  I'm not into fabric arts myself, but I gather that a number of us art enthusiasts are dabbling both in the fabric arts and paper arts.  For those focusing on the fabric arts, here's a gem-of-a-find.  Ta-da! -- it's a Cutterz Ring.  It strikes me as such a creative and brilliant idea that I just had to give its mention top priority today!

Now, on with the show!

When it arrives in its original package, the 6" x 6" mask Looking Up Through Trees Small looks like this --

6" x 6" Looking Up Through Trees Small

But once it reaches my hands, like many of my other masks and stencils, it's liberated from its outside border.  Only then is it ready for a number of projects...

... and yes, I try to clean this particular mask after using it with acrylic paint, because it has numerous small openings that could easily get clogged ....

Above:  An imprint left behind after this mask has been cleaned.

But since none of my cleaning jobs is perfect, what ultimately happens is that my masks and stencils become stained ... with results that I see as works of art, in and of themselves:

Above:  Example 1 of this mask stained with a collection of acrylic paints.

Above:  Example 2 of this mask stained with a collection of acrylic paints.

Above:  Example 3 of this mask stained with a collection of acrylic paints.

Okay; what art projects have made all that staining happen?  See below: 

I'm hoping these samples prompt some ideas for adventuring with abstract imagery via my just-released 6" x 6" mask Looking Up Through Trees Small!  

And for further art-making explorations, I suggest pairing this new mask with the 9" x 12" version of Looking Up Through Trees.  It looks like this:

Looking Up Through Trees (9" x 12")

Many thanks for stopping by here today!  To scroll thru the pages of my StencilGirl stencils and masks, please start here.

Film Festival to Celebrate the Birthday of the Original StencilGirl, Mary Beth Shaw!

I'm happy to take part in a huge film festival celebrating the birthday of the original StencilGirl, MaryBeth Shaw! 

You can have access to the whole video collection here.

And/or you can watch my video here.

For this video I used my 9" x 12" mask Clustered Leaves --

Below, a parade of prints made with the scraping method featured in my film:

Below, a collage on stretched canvas created using stencil- and mask-painted papers as well as other papers:

The vertical rectangle running down the right side of the above collage was printed with my 9" x 12" mask Clustered Leaves, using the video's scrape technique.   I flipped this section sideways to give a better view of that paper; below, it appears as a band across the bottom.

Most of the other papers were printed with my 9" x 12" mask Looking Up Through Trees, which looks like this...

Below, a collage-in-progress, being developed with mask- and stencil-printed papers and other painted papers:

Above:  The focal point is cut from one of the prints shown a little earlier in this post.  It, too, was printed with my 9" x 12" mask Clustered Leaves.  Along the bottom are two smaller papers, both cut from a print I'd made using 6" x 6" Ski Lift Works --

Thanks for stopping here today!  Enjoy the StencilGirl Film Festival! 

Announcing 6" x 6" LOOKING UP THROUGH TREES Mask!

It was Carol Baxter at StencilGirlProducts.com who launched an idea in my direction.  

Trees! -- both of us were thinking of actual trees and a semi-realistic image of what it might look like, were I standing in a forest or park, craning my neck to look upward through a circle of majestic trees.

9" x 12" Looking Up Through Trees Large

Later it was Carol, yet again, who suggested a 6" x 6" Looking Up Through Trees Small.

Today marks the debut of exactly that --

6" x 6" Looking Up Through Trees Small

In preparing today's post to announce this new arrival, I found myself looking at these two images in a whole different way.  

They're still semi-realistic trees, of course, but I can also see them as 
a pair of metaphors for humanity, as it's meant to be:  Everyone rising from his or her roots, growing upward to stretch forth branches that intertwine -- each of us different, yet all of us connected.

I'll be using the two masks together, many times; directly below, however, are two examples of both working working in tandem to create one piece of art....

Dark bottom layer created with 9" x 12" Looking Up Through Trees Large and top layer created using 6" x 6" Looking Up Through Trees Small.  Detail in upper left was added with a permanent marker.  You can click on the image to enlarge it and better see details.  In developing this print, I used masks that I had previously cut free from their original borders.

Multiple layers developed using 9" x 12" Looking Up Through Trees Large and top layer created using 6" x 6" Looking Up Through Trees Small.  Again, the two masks have been cut free from their borders.  More about this particular multi-layered print will appear in another post, coming soon.

Lots more of these two-mask combinations are on the drawing board.  But today, I'm using the brand-spanking-new 6" x 6" Looking Up Through Trees Small by itself.  

In developing today's art samples below, I've taken advantage of the mask's intertwining branches to create abstract imagery.  

Today's focus is on one specific kind of abstraction -- a mirror illusion, the same as what you see on face cards in a deck.

I approached this project with scissors -- removing the mask's bottom border.  (Later I would cut off the entire 6" x 6" border.  But for most of my "mirror" prints, I needed only to remove the bottom border.)

In making mirror images with this mask, I quickly learned that, right after making my initial print, the next step must be to clean and dry the stencil or mask.

After a quick clean-and-dry maneuver, it's time to flip the mask over -- so the second print can be a mirror image of the first.

The flipped-over mask is lined up with the original print in a way that matches each tree trunk to its opposite image directly above it.  You can click on the photo below to better see details .....

Above:  With heavy-body opaque white paint, the top print has been made and allowed to dry.  Its base is glossy black cardstock, previously daubed with metallic acrylic purple paint.  The mask has been cleaned, dried and flipped over, before being secured with blue masking tape to the first print.  In the upper right corner of the above photo, a line of opaque white paint has been drawn across a palette tablet.*  Below the paint rests a sponge brayer, ready to go to work.

Above:  A close-up showing how the mask is lined up with the first print.

After making that second print, the mask is lifted.  

Below is a series of "mirror" paintings created in this way:


 

Above:  This twin image was created  with metallic gold acrylic paint on a background of glossy black cardstock.  After the paint dried, I matted the print onto a background of crumpled goil foil giftwrap.  This background is reinforced by sturdy cardboard glued to the back of the sheet of giftwrap.  Mask used:  Looking Up Through Trees Small (6" x 6").

Above:  This double image was printed on a 4-color background with white edges at top at bottom.  Mask used:  Looking Up Through Trees Small (6" x 6").

Above:  This double image was printed on a  photo from an old calendar.  Mask used:  Looking Up Through Trees Small (6" x 6").

Above:  This double image was printed on paper previously covered with my hand-drawn script.  Mask used:  Looking Up Through Trees Small (6" x 6").

Mask used above:  Looking Up Through Trees Small (6" x 6"). This was printed on a catalog page showing a stack of bathtowels.

Above:  This double image was printed on circle-printed scrapbook paper previously coated with several layers of acrylic paint.  Mask used:  Looking Up Through Trees Small (6" x 6").

As you can see in the above example, I failed to exactly line up the two prints on the right side.  Later I came back with a white acrylic marker  and faked a better line-up of those tree trunks.  Below is a different print which had likewise come out mis-aligned; but this example shows how my white acrylic marker has fixed the trunks to match on both sides of the image:

More art samples with today's newly-released mask will appear here thruout the month.  Thanks for letting me share them with you!  Here's one preview of an upcoming post about working in a series:

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To scroll thru the pages of my StencilGirl masks and stencils, please start here.

Palette paper pads for acrylic paints can be found here as well as elsewhere.

Bouquet of Artists Making Art with Stencils and Masks

Coming back to my parade of stencil- and mask-using artists...

First below:  Lisa Dobry has printed paper using 9" x 12" Tangled Pods Stencil.  Lisa has made it her backdrop for what she calls her "scribbles" in the lower right corner -- and I love these "scribbles!"

For developing the next two artworks below, Susan Jennings has used two of the ATC-sized cat stencils from ATC Mixup Swatton #1 --

Wendy Baysa has used 9" x 12" Garden Montage mask in creating the mixed-media artworks below--

And the original StencilGirl herself, MaryBeth Shaw, has included among her art-making tools my 6" x 6" stencil Pressed Leaves, in the upper left of the featured art below.  You can click on it to enlarge it and better see details ....

Susan Jennings has shared her step-by-step process here.

Thanks to everyone who allowed me to include her artwork here today!  To scroll thru the pages of my StencilGirl masks and stencils, please start here.